Ssl BUS+

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Compressor / limiter / gate

If there is one piece of analogue processing equipment that is synonymous with SSL, it is the SSL bus compressor. From the very first SSL 4000B console released in 1976 and through the many generations of SSL consoles that have followed, the bus compressor has been the mainstay of the console's central section. For many of the world's top engineers and producers, the bus compressor remains the most widely used processing tool to give mixes a richer, fuller sound, with the dynamism and energy of SSL's legendary 'glue and punch'.

Technisch papier

100% analogue circuitry, digitally controlled via front panel notched potentiometers
huge headroom of +27.5 dBu
Configurable processing order - Pre-D-EQ (default) or Post-D-EQ bus compressor
CH 1 IN and CH 2 IN buttons for global bypass of each channel
Configurable operating level - 0 dB (nominal), +10 dB, or -5 dB
Sleep and Auto-Sleep modes to prevent inadvertent continuous operation
MAKE-UP control gain precisely controlled via MDAC with 2 ranges: 0.5 or 1 dB steps
Connections: 2 XLR inputs, 2 XLR external returns, 2 XLR outputs, 2 XLR external sends
19' 2U rackmount format
Weight and dimensions: 5.92 kg, 480 x 88.9 x 303 mm
Bus Compressor
4 operating modes: Classic Stereo, ? S/C Stereo, Dual Mono or Mid-Side
Inputs/outputs for external sidechain
The genuine Bus Compressor circuit
LOW THD mode: reduces high frequency distortion caused by compression
F/B mode: changes the compression characteristics for a more "relaxed" compression style
4K Mode: Single VCA operation with variable harmonic distortion to bring some SSL4000 Bus Compressor grain to the mix.
Negative ratios - for creative pump effects and control of strong signals
New attack and release capabilities, including the new 'Auto 2' parameter
MIX control for instant parallel compression
Moving coil gain reducers
Lockable transient expander
D-EQ
Powerful 2-band parallel analogue dynamic EQ
Compression/expansion mode
3 choices of time constants per band - Nominal, Fast or Auto
16 selectable frequency points per band
Adjustable range control per band from 0.5 dB to 15 dB
HF band can be bell-switched, with selectable frequencies covering the upper midrange and treble.
Static gain of the frequency band "Make Up" for LF and HF bands (Stereo/ ? S/C Stereo) or LF band (Dual Mono/Mid-Side)
G-Series mode changes the LF filter to 2nd order with a degree of under/override
Tricolour LEDs indicate D-EQ activity
Individually bypassable bands